‘Janaka Aethe Ganaka’ Movie Review: A sincere Suhaas can’t save this messy courtroom drama


Suhas and Sangeetharthana Bipin in the Telugu film Janaka Aethe Ganaka

Suhas and Sangeetharthana Bipin in the Telugu film Janaka Aethe Ganaka

Telugu cinema has consistently depicted stories where heroes embody middle-class values ​​— from Nidi river talk to him And Middle Class Melodies from Middle Class Abbayi (MCA) And family star. Interestingly, producer Dil Raju also backed these two films Janaka Aite Ganaka This week directed by Sandeep Reddy Bandala, starring Suhas, aims to recognize and appreciate the bread-winners of middle-class families in the guise of a courtroom drama.

Prasad (Suhas), a married man, is a salesman for a washing machine manufacturing company. Unsatisfied with the compromised upbringing, and fearing that he and his wife will not be able to raise a child financially, the couple decides against parenting, until their decision backfires.

The film opens in style with a hint of satire establishing the interpersonal relationships in Sandeep Prasad’s family. Prasad clashes with his father Raman over bad real estate investments, shares a love-hate relationship with his grandmother, and buys jalebis For his wife in the evening. He beats the weekday work blues at a bar with a lawyer friend.

Janaka Aithe Ganaka (Telugu)

Director: Sandeep Reddy Bandla

Starring: Suhas, Sangeetharthana Bipin, Goparaju Ramana

Story: A salesman sues a condom manufacturer when his wife becomes pregnant.

A scene where Prasad justifies his reason for not having children is a laugh riot. However, after Prasad filed a petition against a condom manufacturer and moved the action to court, the film slowly fell apart. Going beyond the slice-of-life, relatable setting, the filmmaker takes a lot of cinematic liberties to create humor.

Janaka Aite Ganaka A film with an identity crisis. It begins by painting a realistic portrait of middle-class life, clutters the court proceedings with weak, vague arguments and caricatures, and fails to give any agency to Prasad’s wife. The female lead just laughs, eats jalebis and repeats the line ‘Ma Ayana Anni Chuskuntru’ (My husband will take care of everything).

From misleading condom ads to livelihood issues, child rearing difficulties and issues plaguing the education system, there is no focus on storytelling. A pre-interval scene, where a judge is desperate to know more about Prasad’s ‘equation’ with his wife, is in poor taste and raises doubts about the director’s intentions.

At no point is Prasad actually challenged in court. It is surprising that a middle-class man, leading a hand-to-mouth existence, quits his job and fights a court case with a novice lawyer. Inherent distortions in the characterization of the lawyers representing the condom manufacturer further cloud the story. Worse, there is an unnecessary, dangerous generalization about abortion.

The repeated spotlight on Prasad’s finances makes for a tiring watch. The climax is too rushed, with sudden and convenient transformations of characters.

Murali Sharma’s entry as counsel for the accused also does not bring much momentum; The spark is too intermittent to offer any respite. The story of a common man standing up against a corporate giant in court is inspired by some Ayushmann Khurrana starrer, OMG 2 And Jolly LLB. Janaka Aite Ganaka Attempts to tackle a social stigma using humor and a handful of visual metaphors, but the treatment is insensitive and tone-deaf.

Expresses no interest in casting decisions. It is tiring to see Suhas playing different characters of the same character—a common man stuck in an extraordinary situation. Although she is a performer of great skill, the film does not give her much scope to try anything new. Goparaju Ramana, as the Chetak-cavalier father, is rarely tested in familiar roles.

Musician Bipin’s warm screen presence is underutilized in a poorly etched character where femininity is reduced to domesticity. Venela Kishore is the only actor who has enlivened the screen even in kill-to-death situations. Rajendra Prasad and Prabhas Srinu get some moments to shine but the treatment of their characters leaves a lot to be desired.

Cinematographer Sai Sriram’s vibrant color palette is definitely a silver lining. Vijaya Bulganin’s background score complements the narrative, while Karthik’s ‘Nuvve Naku Lokam’ is the standout. Debutant director Sandeep Reddy Bandala handles the family drama and humor better than the high-stakes sequences, which he stuffs with many ideas.

If managed well, Janaka Aite Ganaka Conversation starters can be found on a number of relevant topics – the concept of not having children, the stigma surrounding condom use and misleading advertising. For now, it’s just another lost opportunity.

(Janka Aithe Ganak is currently playing in theatres)



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